Toronto’s Country Rising Star Hayden Ryann Stands Tall with Empowering New Single ‘No Room for Bitchin’ Toronto-born artist Hayden Ryann brings a confident new voice to country-pop with her single “No Room for Bitchin’,” (Slammin’ Media and distributed worldwide by Believe) set for release on September 26, 2025. At just 21 years old, Hayden combines a modern lyrical directness with the warmth of country storytelling and the energy of pop, crafting music that resonates with young listeners who value authenticity and empowerment.
Growing up in Toronto’s Beaches neighborhood, Hayden found her artistic spark early in music, poetry, and visual art. Summers spent in Montreal immersed her in the city’s thriving arts scene, shaping her creative identity. “The recording studio feels like my instrument,” she says, reflecting on her sessions in Nashville, Toronto, and Montreal that laid the foundation for her debut album arriving in 2026.
Her journey is anchored in her own words and experiences. “I’ve written over a hundred songs,” Hayden shares. “Songwriting is how I make sense of the world. It’s how I hold onto joy, let go of frustration, and find strength.” That philosophy runs through her newest track, a collaboration with The Lockyer Boys that centers on self-worth and unapologetic independence.
Listen on Spotify here: https://open.spotify.com/track/5ilPhwuv8bm0wcyW9QWRjc?si=ecbe2ce7ce07499e&nd=1&dlsi=45b8566b5787447b
From the first verse, “No Room for Bitchin’” sets its tone with defiance: “I found a boy, had to let him go / He didn’t like the way I didn’t do as I was told.” Hayden delivers each line with a mix of grit and clarity, transforming personal reflection into a universal anthem for anyone refusing to shrink themselves.
The chorus amplifies that voice: “So you don’t like me, when did I ask? / Don’t get caught up on me, ‘cause I ain’t gonna do it back.” Her conversational delivery and infectious melody underline the message—confidence doesn’t need validation, and self-respect is its own power.
Later in the song, Hayden sharpens the message for her listeners: “So listen up, girls, this is our song / We ain’t gonna apologize when we don’t do nothing wrong.” With that rallying cry, she transforms the track into a collective statement, positioning her music as both a personal release and a cultural moment for her generation.
The anthem is already inspiring movement—literally. A line dance choreographed to “No Room for Bitchin’” is picking up steam across TikTok and Instagram, giving fans a playful new way to embody its message. The video brings the song’s empowering spirit to life, uniting music, movement, and community in a way only Hayden Ryann could.
The impact of “No Room for Bitchin’” extends beyond its hooks. It resonates as a declaration of emotional clarity, offering anthems of resilience to those navigating toxic relationships or societal pressures. Hayden’s ability to channel frustration into empowerment places her in conversation with peers like Maggie Rogers and Lizzy McAlpine while carving a space uniquely her own.
For Hayden, empowerment means presence. “Say what you want, be who you wanna be,” she sings, embodying a philosophy of living without compromise. This message positions her not just as a performer, but as a voice for young women claiming space with unapologetic confidence.
Looking ahead, Hayden is preparing the release of her debut album in early 2026. She promises a body of work that blends her influences—country, pop, and folk—with lyrics rooted in raw honesty. “These songs come from real places,” she says. “They’re about finding joy, holding your ground, and sharing stories that matter.”
With her music set to reach audiences across Canada, the U.S., and beyond, Hayden Ryann stands poised to become one of country-pop’s most empowering new voices. “No Room for Bitchin’” is more than a single; it’s a statement of identity, a soundtrack for resilience, and a reminder to live boldly without apology.
As Hayden puts it herself: “I’m a hell of a girl, in a hell of a world, that’s got no room for bitchin’.”